Composer/Arranger/Performer

Michael Pignéguy BMus

 

Diversity is a concept that sits very comfortably within Michael's artistic outlook, having worked in genres ranging from jazz, hip-hop, rock, Celtic, orchestral and Latin.

Known for his taste, inventiveness and rhythmic instinct, he is respected as a performer, composer, arranger and educator.

He considers his musical 'home' to be jazz and that is the language through which he seeks to understand other styles. Over time he has become more and more interested in the way different genres have the potential to work together and has been involved in many projects that reflect that.

 

Jazz Meets Mozart, the C.Y.O'Connor Jazz Suite, Lingua Franca, When Worlds Collide as well as the many arrangement commissions he has received for pop artists have all required a well honed ability to merge widely different elements into a cohesive new sound.

All of the above projects have built on the experience Michael gained from writing for and leading his own sextet which was formed in 1994. This group came to showcase his writing on the group's critically acclaimed first album 'MPS Live' and later on the double album 'PURE' also featuring Australian sax icon, Dale Barlow in performance and co-producing roles.

The Michael Pignéguy Sextet (MPS) collaborated with poets, hip hop musicians and classical instrument line-ups involving many musicians that have made a big impact on the Australian scene.

An offshoot of MPS was Salamander, a musical force co-led by Michael, bassist and composer-Peter Jeavons plus rapper and drummer-Floods. Salamander demonstrated, on an elevated plane, what is possible when jazz sensibilities get mixed up with hip-hop, soul, dance music and electronica as the many reviews for the group's debut album ADAPT attested.

Michael's own 'adaptability' led to him being picked to become principal arranger and artistic director for the Jazz Meets Mozart projected commission to celebrate the 250th anniversary of Mozart's birth. After the performances of Jazz Meets Mozart in Australia and the Middle East, the four musicians who comprised the jazz component formally became the Australian Jazz Collective. The Collective includes Jamie Oehlers (sax), Tom O'Halloran (piano), Sam Anning (acoustic bass) and Michael (drums).

Outside his performance on drums in the MPS, Salamander and the Australian Jazz Collective plus the many commissions he has received, Michael has had exciting career as a highly sought after freelance musician and has performed with artists such: Michel LeGrand (France), Kate Ceberano, Western Australian Symphony Orchestra, Claire Martin, Frank Bennett, the Adelaide Symphony Orchestra, Dale Barlow, Julian Lee, Mike Nock, Tim Hopkins, Jamie Oehlers, Bob Downe, James Flynn, Cathie Travers, Nichaud Fitzgibbon, Freddie Grigson, Helen Matthews, Penny King, Elizabeth Sanderson, Grady Lovelle, Tropicana Beat, rock band Jaluka, The Fling, Latin outfit Descarga.

Michael has undertaken a range of private study with artists such as (in the USA) Jeff Hamilton, Peter Erskine, Ed Soph, Winard Harper, Zack Danziger, Duduka Da Fonseca, John Clayton (arranging) -(in Australia) Paul Grabowsky and Graeme Lyall (arranging), Frank Gibson Junior and Gary France. In addition to this he holds a BMus in Jazz Performance from the Western Australian Academy of Performing Arts.

Michael is currently based in Abu Dhabi in the United Arab Emirates. This vibrant city is soon to become home to the new Guggenheim and Louvre as well as many other cultural buildings which will be concentrated in the new arts precinct on Saadiyat island.

In April 2009 Michael left his position as Assistant Musical Director in the UAEPO where he worked alongside Conductor and Artistic Director, Philipp Maier.

Michael is also endorsed by Sabian Cymbals and Drum Workshop drums

 

 

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  Cell: +971-50-721-4544, PO Box 34150, Abu Dhabi, thesoundsculptor@gmail.com

© Mike Pignéguy